miercuri, 27 mai 2026

Deșertul tătarilor

 


De la Wikipedia, enciclopedia liberă

Il deserto dei Tartari

Titlu originar    Il deserto dei Tartari

Gen film dramatic

film de război

Regizor   Valerio Zurlini

Scenarist André-Georges Brunelin

Jean-Louis Bertuccelli

Bazat pe  romanul omonim al scriitorului Dino Buzzati

Producător      Michelle de Broca, Jacques Perrin, Giorgio Salvaggi

Studio     Cinema Due (Italia)

Fildebroc (Franța)

Les Films de l'Astrophore (Franța)

Director de imagine Luciano Tovoli

Montaj     Franco Arcalli

Muzica    Ennio Morricone

Costume  Giancarlo Bartolini Salimbeni 

Distribuție Jacques Perrin

Vittorio Gassman

Giuliano Gemma

Philippe Noiret

Premiera 29 octombrie 1976Italia Italia

12 ianuarie 1977 Franţa Franța

29 aprilie 1977 RFG RFG

Premiera în România      18 aprilie 1979 (Telecinematica TV)

Durata     128 minute

film color

Țara Italia Italia, Franţa Franța RFG

Limba originală       italiană

Deșertul tătarilor (titlul original: în italiană Il deserto dei Tartari) este un film dramatic italo-francez, realizat în 1976 de regizorul Valerio Zurlini, după romanul omonim al scriitorului Dino Buzzati, protagoniști fiind actorii Jacques Perrin, Vittorio Gassman, Giuliano Gemma și Philippe Noiret.

Articol principal: Deșertul tătarilor

Un tânăr își începe cariera militară într-o fortăreață din Deșertul Tătarilor, a cărei garnizoană așteaptă de ani de zile apariția inamicului. Cu trecerea timpului, e covârșit și el de răul așteptării înfrigurate și își dă duhul tocmai când, în sfârșit, hoarda e în fața cetății.

luni, 11 mai 2026

Neamul Soimarestilor

 


Acţiunea filmului se petrece în secolul al XVII-lea, în contextul unei vieti politice agitate în Moldova (lupta pentru putere dintre Ştefan Tomşa şi Constantin Movilă. Actiunea se desfasoara pe doua planuri, unul sentimental si unul eroic, în centrul ei aflându-se Tudor Soimaru (interpretat de Mihai Boghita). Ostean în armata lui Tomsa el se aventureaza în salvarea frumoasei Magda Orheianu, răpită de cazaci. Se îndrăgosteşte de ea, dar iubirea lui e respinsă. Ajuns acasă, află că părintele său a fost ucis de tatăl iubitei, duşman al domnitorului şi uzurpator al drepturilor răzeşeşti. Noua domnie redă răzeşilor pământurile, şi Tudor îşi reface gospodăria şi se apropie de Anita, noua iubire. Filmul surprinde momente importante din perioada confruntărilor dintre răzeşi şi boieri, dintre pămâtenii locului şi năvălitori. O distribuţie de excepţie. În rolul lui Ştefan, marele actor George Calboreanu

Ecranizare din anul 1965, după povestirile lui Mihail Sadoveanu, filmul prezintă luptele acerbe pentru scaunul Moldovei, în secolul ce a urmat domniei longevive a lui Ștefan cel Mare. Pentru a accede la domnie, Ștefan Tomșa își încropește o oaste de mercenari, stabilește alianțe cu tătarii și turcii pentru a îndepărta pe văduva lui Movila, aliată cu leșii (polonezii), care își dorește coroana domnească pentru unul din cei patru fii ai săi. Ajuns la domnie, Tomșa își răsplatește cu dărnicie apropiații și pedepsește necruțător pe cei care au colaborat cu dușmanul. Personajul principal, Tudor Șoimaru, un mercenar care a colindat Europa, luptând sub diferite steaguri, se retrage după mulți ani pe plaiurile natale după ce a servit si în armata lui Tomșa. Aici este prins între două lumi, una a dragostei la prima vedere și ealitatea crudă a satului său, unde află că principalul adversar al neamului său, este tatăl celei pe care o iubește. Sentimentul datoriei față de ai săi va triumfa.

Un film foarte bun cu o distribuție de exceptie in care se remarca Ion Besoiu, Colea Răutu, Ștefan Ciubotărașu, Amza Pelea, George Calboreanu, Costache Antoniu, Toma Dimitriu.

sursa internet

vineri, 8 mai 2026

The insider




From Wikipedia, the free encyclopedia

Mr. Jones

UK theatrical release poster

Directed by Agnieszka Holland

Written by   Andrea Chalupa

Produced by       

Stanisław Dziedzic

Andrea Chalupa

Klaudia Śmieja-Rostworowska

Starring      

James Norton

Vanessa Kirby

Peter Sarsgaard

Cinematography  Tomasz Naumiuk

Edited by    Michał Czarnecki [pl]

Music by     Antoni Komasa-Łazarkiewicz

Signature Entertainment (United Kingdom)

Release dates    

10 February 2019 (Berlinale)

25 October 2019 (Poland)

28 November 2019 (Ukraine)

7 February 2020 (United Kingdom)

Running time       141 minutes

Countries  

Poland

Ukraine

United Kingdom

Languages

English

Ukrainian

Russian

Welsh

Box office   $2.8 million

Mr. Jones (Mr Jones in the United Kingdom; Polish: Obywatel Jones, lit. 'Citizen Jones'; Ukrainian: «Ціна правди», romanized: Tsina pravdy, lit. 'The Price of Truth') is a 2019 biographical thriller film written and co-produced by Andrea Chalupa and directed by Agnieszka Holland. It is based on the story of Welsh journalist Gareth Jones, who uncovers the truth of the devastating famine (Holodomor) in which millions died in the Ukrainian SSR, Soviet Union.

The film was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.

In 1933, Gareth Jones is an ambitious young journalist, who has gained some renown for his interview with Adolf Hitler. The son of an English teacher in the Welsh colony of Hughesovka in Soviet Ukraine, Jones is troubled by the question of how Stalin's Soviet Union can be having a spending spree, as the numbers do not add up. Jones works as a political advisor to David Lloyd George, the former British prime minister, but with funding limited owing to the economic difficulties, and after failing to make his case in a critical meeting, he is made redundant.

Trading on his connections in Britain and in Russia, Jones manages to obtain a Russian visa with the intention of setting up an interview with Stalin. Upon arrival in Moscow, he meets Eugene Lyons, a Russian-American journalist, who is with a party of British engineers from Metropolitan-Vickers; they take him to a party at the home of Walter Duranty and give him cryptic hints that the Soviets are not as enlightened as they make out, and that Stalin's ability to pay for British engineers or new factories may not rest on the famed efficiency of the Ukrainian farms as they have claimed. He is also informed that journalists are forbidden to venture outside of Moscow. Through a chance meeting with fellow British journalist Ada Brooks—who is under close observation by the OGPU, the Soviet secret police—he learns that his contact in Moscow was murdered by the authorities while investigating the supposed Ukrainian agricultural revolution. Armed with this information, Jones alters his documents to make him appear to be still employed by Lloyd George and obtains an invitation to Ukraine by the Soviet foreign minister Maxim Litvinov.

On the train journey south, Jones takes advantage of a brief stop to leave his train and sneak onto another train, which is taking starving peasant workers to Hughesovka—now renamed Stalino. At Stalino, he finds that all of the grain shipments are being immediately sent to Moscow, but he is labelled a foreign spy and forced to flee into the woods. After escaping, he witnesses almost abandoned villages, with the remaining peasants dying in their own homes. After travelling for several days, he is told by locals that the famine has been started deliberately by Moscow. He is then caught by the OGPU.

Taken to a Soviet prison, Jones briefly encounters the engineers whom he met in Moscow, who have now also been accused of espionage. Under interrogation, he is told that he will be sent back to London without charges, with an expectation that he will repeat to the press the story the Soviets wish to be heard: that Ukraine is the breadbasket of the USSR and any stories of a famine are rumours. Only if he does this, will the Russians agree to release the engineers.

Back in London, his publisher introduces him to George Orwell, who persuades Jones to tell the truth for the greater good. In response to Jones's claims, Duranty—who through bribery is using his position to act as a propaganda mouthpiece for Stalin—mobilises his contacts to rebut any stories of famine in Ukraine. Litvinov similarly puts pressure on Lloyd George to force Jones to retract his claims. He refuses, but becomes a pariah as the public turns on him. Out of desperation, he returns to his father's home in Wales, but later hears that the American media mogul William Randolph Hearst is at a nearby stately home that he owns. Jones manages to reach him and persuades him to use his publications to revive the accusations of induced famine. The extra publicity revives public belief in the truth of the Holodomor.

The film ends by recording that Jones died two years later while reporting in Inner Mongolia. Travelling with a fellow journalist who was also a member of the Comintern, he was kidnapped by bandits and executed.